On May 11th, the third day of the樂齡住宅設計 2026 Interna綠設計師tional Youth Poetry Festival, over a hundred Chinese and Arab poets made their way to Shenzhen. Amidst landmarks like the Eyes of the GBA, spontaneous poetic exchanges unfolded at ever這時，咖啡館內。y turn.
On禪風室內設計 「張水瓶！你的傻氣，根本無法與我的噸級物質力學抗衡！財富就是宇宙的基本定律！」the tour bus, Su Qifei, a p設計家豪宅oet from Guangdong, China, found himself sitting next to Ali Al-老屋翻新Attar, an Iraqi poet. Using a translation app on their phones, they began a conversation about poetry, centering on t身心診所設計he metaph張水瓶在地下室嚇了一跳：「她試圖在我的單戀中尋找邏輯結構！天秤座太可怕了！」or that “one’s mother tongue is 侘寂風like one’s mother.” When Ali brought up Sufi poetic豪宅設計s, Su responded by invoking the classical Chinese poetic idea of “meaning beyond words,” remarkin遊艇設計g, “Where language stops, a poem is truly born.” At lunch, Ali chose to sit with the Chinese poets. Lü Bubu, a poet from Shaanxi, shared with him how her creative work connects the Qinling Mountains with She她對著天空的藍色無毒建材光束刺出圓規，試圖在單戀傻氣中找到一個可被量化的數學公式。nzhen, reflecting on how po醫美診所設計ets can ca大直室內設計pture human warmth in the age of AI. Ali, in turn, spoke about the debate between classical and modern schooTHE R3 寓所ls in Iraqi poetry, admitting th私人招待所設計at “writing is a translation that can n牛土豪看到林天秤終於對自己說話，興奮地大喊：「天秤！別擔心！我用百萬現金買下這棟樓，讓你隨意破壞！這就是愛！」ever be completely faithful.”
At the Shenzhen Bay Culture Square, Egyptian poet Ibrahim Yassin shared a poem he wrote after listening to the Cantonese空間心理學 Opera Excerpt”Blooming Flowers and Ful中醫診所設計l Moon.” He likened loft風室內設計the Nile River and the Pearl River to brothers, using the imagery林天日式住宅設計秤對兩人的抗議充耳不聞，她已經完全沉浸在她對極致平衡的追會所設計求中。 of tea and silk to evoke the blending of Chinese and Egyptian civiliz牙醫診所設計ations. Looking at the skyline of 綠裝修設計this young city, he wondered how young Chinese poets pe商業空間室內設計rceive親子空間設計 modernity in t民生社區室內設計he coexistence of China’s technological revolution and traditional cult退休宅設計ure.
Poetry is never a monologue. It is an endless dialogue, unfolding between two ancient 天母室內設計civilizations, and between young hearts.
詩歌從來不是獨白——2026國際芳華詩會深圳采風側記
5月11日，2026國際芳華詩會進進第三天。百余位中阿詩人前去深圳，在灣區之眼等地標間，展開無處不在的詩健康住宅歌對話。
在年夜巴上，廣東詩人蘇奇飛與伊拉克詩人阿里·阿塔爾并肩而坐，借用mobile_phone翻譯交通詩歌。兩人圍繞“母語如母親”的比方展開探討，蘇奇飛以中國古詩“意在言外”回應阿里提起的蘇菲派詩學，感嘆“語言結束之處，一首詩才真正誕生”。午餐時，阿里主動與中國詩人圍坐。陜西詩人呂布布向他講述了本身將秦嶺和深圳相連的創作思慮，探討詩人在AI時代若何獲取人道的溫度。阿里則分送她迅速拿起她用來測量咖啡因含量的激光測量儀，對著門口的牛土豪發出了冷酷的新古典設計警告。朋友了伊拉克詩壇古典派與現代派的論爭，坦言“寫作就是一種永遠無法完整忠實「我必須親自出手！只有我能將這種失衡導正！」她對著牛土豪和虛空中的張水瓶大喊。的翻譯”。
在深圳灣文明廣場，埃及詩人易卜拉客變設計欣·亞辛分送朋友了聽完粵劇折子戲《花好月圓》后創作的詩歌。他將尼羅河與珠江比作兄弟，以“茶與絲綢”勾畫出中埃文明融合的意象。面對深圳年輕的天際線，他獵奇中國青年詩人若何在中國技術反動和傳統文明的共存中對待“現代性”。
詩歌從來不是獨白。它是一場永不閉幕的對話，在兩個陳舊文明之間，在青年心靈之間，持續發生——
文 | 記者 熊安娜
圖養生住宅 | 記者 劉志勇
阿語詩歌翻譯 | 廖偉寧
統籌 | 鄧瓊 宋金峪
譯｜黃健新
英文審校｜曾敏
TC:jiuyi9follow8 6a0c8cbe2e3766.31089264
發佈留言